Events

Stay up to date on upcoming events with the MLA calendar. We post MLA meetings, trainings, festivals and openings as well as other events that pertain to the lobster industry. You can sort by category or tags (i.e.lobster boat races).  Let us know if you have something to post! 207-967-4555 or andi@mainelobstermen.org

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Apr
7
Fri
Exhibit- “A way of Life: The Fishing Families of Stonington” Reception @ Camden Public Library
Apr 7 @ 7:00 pm – 8:30 pm

Opening reception and talk by the artist. Dworsky’s photographs will be on display in the Picker Room gallery for the month of April as part of Maritime Month 2017.

Maritime Month is made possible by Allen Insurance and Financial.

Jeff Dworsky moved to Maine in 1971, still a teenager. He lived briefly on an island in Muscongus Bay before settling in Stonington. He was already a photographer—intermittently so, but it had become part of his way of interpreting the world around him.

LB2016.19.204 (3)Like many young men living in coastal communities, Dworsky began to make his living from the sea, first by digging clams, then later as a lobsterman. He continued to use the camera. Much later, in 1990, Dworsky’s images came to the attention of Peter Ralston, the Rockport photographer and co-founder of Island Institute in Rockland, Maine, during one of Ralston’s visits to York Island (near Isle au Haut, where Dworsky was living with his family at the time). This recognition was the opening of a door for his photojournalism career. In 1991, he began to freelance off and on for various magazines, including Downeast and National Geographic Traveler. His insider perspective lent a power and credibility to the work which was obvious to his publishers. LB2016.19.212 (2)

Dworsky drew some of his submissions from a personal project he had begun in the late 1980s. Like many Mainers, he watched with dismay as the real estate boom during this decade began to dissolve the traditional fabric of life in coastal towns. From 1988 to 1993, he undertook an extensive photographic survey of the people in these communities, many of whom were known to him, in the midst of their lives and culture. As he puts it, this group of photographs was “…an ode to the loss of the place I chose to live, that I loved…the old Downeast coast.”

He fished steadily until 2015, and has been reinventing himself since then. This includes some time behind the lens, though he’s turned it away from the Maine coast, which, in has forever changed.